Friday 8 October 2010

Autre Ne Veut: 'Autre Ne Veut'

A review I wrote for FACT magazine. View the original here.Olde English Spelling Bee seem to be a label on a mission at the moment, determined to release the best independent pop music imaginable. In the last twelve months the New York imprint has given us inspired offerings from Ducktails, Forest Swords and Broken Troubles, and now they can add Autre Ne Veut to the list. This self-titled debut LP sees the singer-songwriter use a similar lo-fi pop template to his labelmates as a springboard from which to launch himself at everything from ’80s soul and electro to ’90s r’n'b and electronica, all fused together by his distinctive disjointed harmonies.

While drawing on numerous sources for inspiration, ANV handles each of them in a seemingly un-ironic way, retaining a sense of innocent mischief which ensures that each song is as unpredictable as it is enjoyable. A perfect example is ‘Drama Cum Drama’, which announces itself with pleading moans over sparse beats before ascending into a mumbled Prince-influenced ballad, while recent single ‘Wake Up’ sees him melting down the spirit of ’90s slow jams into a puddle of analogue bubbles over which his heartfelt screeches are allowed to roam unrestrainedly.

The tracks are often constructed around one key element, whether it’s the playful synth line in ‘Demoneyez’ or the militaristic shuffling snares of ‘Soldier’. However this simplicity disguises an ear for detail that only reveals itself on repeat listens, most noticeably in the sluggish bassline and delicately layered vocals offered up on album highlight ‘OMG’.

That’s not to say that the album is without its faults: the vacuous crooning on ‘Emotional’ leaves an after-taste of self-indulgence and I’m sure there are those for whom the LP’s moments of un-tempered saccharine sentiment may be too much to bear. Yet for those of us who see “pop” as an aspiration rather than a dirty word, this is another intriguing release from a label that clearly prides itself on that same philosophy.

Friday 1 October 2010

I heart Ninja Tune records

I've always had a borderline obsession with Ninja Tune. As a school kid in the early noughties, the label provided me with my first taste of dance music outside of the suffocating confines of the soulless trance and commercial house that saturated the airwaves. Copies of Roots Manuva's Run Come Save Me and Mr Scruff's Keep It Unreal would be passed eagerly around my school common room and it was through acts like The Herbaliser and Amon Tobin that I learnt that it was possible to enjoy the rough breakbeats of hip hop free from the inane bragging and posturing that I naively assumed defined the genre.

Intuitively my friends and I realised that there was something uniquely British about the way these artists approached making music, irreverently throwing together dub basslines with jazz flutes, bizarre sound effects or maybe even a monologue about fish. Perhaps it's for this reason that as I've grown older I've always felt a kinship with the label and it was through Ninja Tune that I was I first introduced to genres like grime and dubstep, scenes that I might initially have allowed to pass me by.

So to celebrate the label's twentieth anniversary, I’ve compiled my ten favourite releases from this auspicious label, which the nice guys at FACT magazine have been kind enough to publish. While the list is by no means definitive, I hope it will give a flavour of the diverse array of talent on a record label that has immensely enriched my life. You can read the full feature here.